Her eyes were piercing and her hands were weathered from standing in the freezing cold to paint or feed cattle.

What the late Montana artist Isabelle Johnson saw with those intense eyes were not the lush green fields of the Midwest. Rather, Johnson saw the harshness of Montana winters and the rugged landscape near her family’s ranch outside Absarokee. So that’s what she painted in colors that fit the natural palette of the Northern Plains.

Former director of the Yellowstone Art Museum Donna Forbes remembers Johnson as a good friend and mentor. Johnson was a strong woman who was a gifted teacher and role model.

“Her great statement was, ‘You have to learn to look and see, not just look,’” Forbes said. “The depth of your seeing has to grow and hers did constantly.”

The Yellowstone Art Museum holds 827 Johnson-related works in its permanent collection, most of which were

donated to the museum by Johnson. One painting, “Pilot and Index Peaks, Wyoming,” was donated to the YAM in 1995 by Carol L. Cooper Ferguson, David L. Cooper and Joanne L. Morrill in memory of their parents, Lyle and Connie Cooper. The 1952 oil painting on canvas is on display in the “Boundless Visions” exhibit in the Scott Gallery.

The YAM is hosting a solo exhibit of Johnson’s works in November and December of 2015. The oil and watercolor paintings were completed by Johnson between the 1940s up until just a few years before her death in 1992 at the age of 91.

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Brian D'Ambrosio is a writer/editor living in Missoula, Montana. D'Ambrosio is the author of more than 300 articles and five books related to Montana history, people, and travel.

In the Golden Age of boxing, Marvin Camel—a mixed blood from the Flathead Indian Reservation in Montana—defied all obstacles of race, poverty, and geographical isolation to become the first Native American to win a world boxing title.

Complex and wildly charismatic, Camel combined tremendous physical talent with staggering self-discipline—forged by the sting of his father’s belt—to claw his way to the top, twice winning world titles in the newly minted cruiserweight division and fighting on the same cards as boxing icons Roberto Duran, Larry Holmes, Sugar Ray Leonard, and Bob Foster.

Camel’s journey was an amazing example of gritty determination: punishing runs on Montana’s back roads, relentless training in make-shift gyms, sleeping in beat-up cars before fights in glittering Las Vegas, and even training and fighting for a world championship in a foreign country, alone.


Always, Camel willingly represented his state and his people, proudly wearing his eagle-feather headdress into the ring. Yet with success came sacrifice and pain, both physical and personal, but in life as in the boxing ring, Camel emerged bloody but unbowed.

With irresistible detail gleaned from years of frank interviews with Camel, his family and friends, his former opponents, and seasoned boxing insiders, Brian D’Ambrosio’s gripping biography captures the drama, danger, beauty, and ugliness of boxing, of Indian life on reservations, and especially, of the life of a stereotype-shattering man who inspired his people and boxing fans everywhere with his courage, achievements, and great warrior heart.