Photographing The Big Sky

By Jenna Caplette

 

 

Jenna Caplette migrated from California to Montana in the early 1970s, first living on the Crow Indian reservation, then moving to Bozeman where she owned a downtown retail anchor for eighteen years. These days she owns Bozeman BodyTalk & Energetic Healthcare, hosts a monthly movie night, teaches and writes about many topics. 

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A couple weeks ago, hiking outside Red Lodge, a cloud stopped me in my tracks, as if I’d completely forgotten how amazing Montana summer clouds can be. I guess I had. I grabbed my trusty iPhone and captured the image, awe inspiring as the mountain peaks beneath it.

It helps when photographing sky, and a particular cloud in that sky, to think of it as if you were photographing a person and frame the photograph to best express the cloud’s essence. To create an effective image of a wider cloud pattern, consider what you should exclude from it rather than what to include. Taking several photographs may be the best way to train your eye. Study each to learn what you do or don’t like about your results. Make notes.

To best capture the presence and drama of sky in a photograph, you can choose a focal point in the sky itself – like a cloud -- or place something in the foreground of your shot with angles and visual interest, like the silhouette of a mountain, the reach of a sunflower’s head, or the architectural form of a barn.

With a digital single reflex lens camera, a 28mm equivalent or wider lens will capture the broad reach of sky above a harvest-gold wheat field. As you plan your shot, keep in mind that when you use a wide-angle lens, the sun and moon, or the barn in the foreground, will seem smaller in relationship to the rest of the photograph. Use a telephoto on that same scene and you can zoom in on a particular cloud making it your subject, or on a clump of river grass contrasted with the sky, or the great, fiery ball the sun becomes when it sets in a sky hazed with particles from forest fires. When photographing a skyscape that includes the sun, remember to take precautions to protect both your eyes and your camera's sensor. Use the LCD on your camera to check the picture and make adjustments from there. Don't leave your camera pointed directly at the sun.

On a bright day, a split or graduated neutral density filter allows you to reduce the amount of light reaching a specific part of your picture. This brings the range between highlights and shadows closer together so you can capture both the character of the sky and the details of landscape.  They are one of the few tools available to help control a bright white waterfall in your picture's foreground.  Check one out at a full service camera store and have the staff person show you how it works.

A polarizing filter can “pop” the blues of mountain skies, increasing a picture's color saturation, making all the colors brighter. You won't need one when the sun is directly overhead or when the light is naturally polarized at sunrise and sunset. Because polarizing filters absorb about two stops of light, removing them in low light conditions conserves precious light resources during the golden hours of the day.

A tripod comes in handy for images captured at sunrise, sunset, through a smoky haze, or during the drama of a thunderstorm. After sunset, it becomes essential. If you want to photograph the night sky, attach your camera to an extra-sturdy tripod to insure your camera stays absolutely motionless and remove the filter from the lens. Avoid artificial light like yard lights, headlights, and the glow of city lights

Centering your camera on the North Star and using “Time” or “Bulb” exposure allows you to document the rotation of stars around that still point. Or, you can do the same as you would during the day, and find a solid focal point to contrast against night sky – like a dark mountain ridge. You’ll do best on nights with little to no moonlight, unless you want to photograph the moon itself.

To learn about night sky events, like meteor showers, planet viewing, or to plan ahead for a particular kind of moonlight, check out websites like www.stardate.org. If you get a clear night, grab your equipment and go because the next night may be cloudy, or smoky. Be sure to pack along a flashlight to orient yourself to your surroundings when you set up for a night sky shoot.

The essence of photography is the exploration of interesting light. Opportunity abounds. Few places offer a sky as  expressive and seemingly infinite as ours in Montana.

- I wrote this tip with the expert assistance of F-11 Photographic Supplies in downtown Bozeman.  

 

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A Sky of Surprises

By Kathleen Clary Miller

Kathleen Clary Miller has written 300+ columns and stories for periodicals both local and national, and has authored three books (www.amazon.com/author/millerkathleenclary). She lives in the woods of the Ninemile Valley, thirty miles west of Missoula.

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       For the past three days, I’ve watched the lightning storms blow across the Ninemile Valley and onto my front porch where I like to sit and feel the thunder.  In my limited meteorology experience (I hail from Southern California where weather isn’t a vocabulary word) such drama is played out in films or on news reports.  Here, I get it live—and up to the minute.

            One never knows when turning off the lights and pulling up the bed covers what weather patterns may emerge come morning.  There are forecasts, to be sure, but at best they can predict the basics—the usual snow, sleet or sunshine.  Variables are best prepared for on your property as well as on your person.  Cover, cover, cover.  Layer, layer, layer.  No wonder Montana weather forecasts are detailed by the hour.  This sky is full of surprise.

            Hence, after three days of everything under the sun (rain, hail, sleet, lightning, thunder) but alas, not the sun itself, when I awoke this morning to the proverbial “big sky,” it felt like Christmas morning (without the snow, thank God). 

            I dashed and danced through breakfast and mandatory exercise routine in order to get out in it.  My walk is dessert, the reward for the predictable stretches and bends I have to but don’t want to do to stay flexible and avert back pain.  Fresh air is calisthenics for the soul.

            Montana’s sky really is bigger than any other I’ve laid eyes on.  I suppose it’s a combination of the clean air, the spacious landscape, and the mountains in the distance?  I’ve spent an entire lifetime living at the seashore, yet even though the expansive Pacific Ocean ends in a straight line of horizon, this sky is bigger.  How can that be?

            Today I sinfully broke my dermatologist’s rules and raised the brim of my UVA/UVB protective sunhat to revel in it.  The white clouds puffed in sharp definition, utterly three-dimensional, their etched edges sharply contrasted against a backdrop of deep blue that goes on and on for, well, ever.  It was all I could do to keep from lying on my back in my neighbor’s field of tall green grass so I could fashion farm animals in the sky.

            After several more steps I stopped to watch them glide, ever so slowly, their edges shifting and shaping until finally, I surrendered and climbed the corral fence.  Once over it, I spread out flat and tipped back my hat to create my sky story.  There’s a lobster claw!  A sea monster emerging from the frothy white seawater foam!  

            No doubt I could have scripted an entire cast of cloud characters, were it not for the fact that they closed in and darkened before my very eyes.  In that same instant, the wind howled and gusted through the pine trees.  By the time I was back over the fence, the first raindrop fell. 

            I’d best scurry back to my front porch and see what sky tomorrow brings.