96.3 The Blaze Presents CARNIVAL OF MADNESS TOUR HALESTORM
With special guests Rival Sons, Royal Thunder
Fueled by Monster Energy Drink
The Wilma Theatre – Missoula, MT
Doors – 6:30 p.m. Show – 7:30 p.m.
Tickets are available at Rockin’ Rudy’s, by calling 866-468-7624, online at TicketWeb.com or KnittingFactory.com.
Tickets: $38 General Admission
- General Admission, All Ages, Full Bar w/ ID -
After scoring two top 10 singles (“I Get Off” and “It’s Not You”) from their self-titled debut and touring steadily for two years with acts as diverse as Shinedown, Stone Sour, Disturbed, Megadeth, Papa Roach, Godsmack and countless others, Pennsylvania quartet Halestorm are back with their second full-length, The Strange Case of…. Musically diverse and emotionally revealing, the album resonates with a newfound poignancy that takes Halestorm to a new level of creative achievement.
“I was extremely proud of Halestorm when we released it, and I still love it, but I think I was using mostly one musical technique throughout,” explains frontwoman Lzzy Hale. “We were on ‘ten,’ and we blew through the songs in a safe way – or as safe as something that goes, ‘I get off on you getting off on me’ can be. This new record demonstrates more depth and heart. It’s a lot more expressive and really lets down the barriers.” Halestorm started writing for the new record while they were on the road in 2010. Then when the band finished the Uproar Tour in May 2011, they entered the studio with producer Howard Benson (3 Doors Down, Seether, Three Days Grace) and tracked one of the heaviest songs of their career, “Love Bites (So Do I).”
“At that time, I decided, ‘I’m going to scream my head off and make really gritty songs,’” Hale says. “When we finished ‘Love Bites,’ the engineer at Howard’s studio, Bay Seven, said, ‘I’m pretty sure that’s the fastest song we’ve ever done here.’”
Excited by the escalated tempos and raw energy, Hale returned to writing mode and bashed out more anthemic rockers filled with uncompromising rhythms, soaring vocals and searing leads. Then one night at 4 a.m., after enduring a personal setback, she wrote a bare, vulnerable sounding song and recorded it on her cell phone. Flooded by emotion and maybe a glass of wine too many, she immediately emailed the unpolished song to Benson and the band’s A&R man.
“The next morning I regretted having sent it because I didn’t hear back from them,” she says. “And then a day later they got back to me and went, ‘Oh, my God, we didn’t know you had this in you. Please write more songs like that.’”
Encouraged by the support and inspired by the urge to purge, Hale wrote more intimate numbers, including the sensitive piano ballad “Break In,” the sparse and melancholy “In Your Room” and the mid-paced ode “Beautiful With You.” She and her band mates also crafted heavier numbers, including "I Miss The Misery," with its start-stop chorus rhythm and confrontational lyrics and “Rock Show,” which blazes with euphoric vocals and motivational riffs. That was when Halestorm realized the new collection of songs was somewhat schizophrenic. At first Hale was unsettled by the polarization, then she penned the song “Mz. Hyde” specifically about the two disparate sides of her personality and the album immediately swam into focus. “When they heard that, the guys went, ‘Oh my God, you are Mz. Hyde!’” Hale says. “So suddenly this predicament with having this record that had a split personality was about having a split personality. Sometimes I need a shoulder to cry on, sometimes I need to wear a pair of jeans instead of fishnets. But I also like being powerful and being a leader and yelling, ‘Hello, Cleveland.’”
Halestorm recorded The Strange Case of… in three sessions with Benson. By the time they entered the studio for the last time, they had written 56 songs, which they narrowed down to the 17 they tracked. The first single “Love Bites (So Do I)” is a storming rocker that illustrates Hale’s individuality, sense of humor, and willingness to represent young women in today’s fast-paced society. “I was talking to this little girl over Twitter who was going through her first breakup, and she was asking me for advice,” recalls Hale, who regularly interacts with her fans online. “She typed ‘Love Bites,’ and I replied, ‘Well, so do you, darling. You can still bite back.’ It was meant to be an empowering song for people when love goes down the tubes, and I think it’s a very realistic way of looking at relationships. Nobody talks about all the crap you have to do to keep something alive or just deal with your boyfriend or girlfriend. They always talk about falling in love or having your heart broken. So this is a way of saying, yes, everything can end, but it’s rejuvenating to stand up and go, ‘This sucks right now, but it’s not going to take me down with it.’” Other tracks, such as “You Call Me a Bitch Like it’s a Bad Thing” and “Freak Like Me” turn epithets into proud slogans, while “Daughters of Darkness” is an admission that women, like men, have their dark side. “Even with the sweetest woman in the world, you click a switch somewhere, and she’s a little bit crazy or she has her secrets,” Hale says. “And a lot of times you see these girls let all that stuff out at our concerts, which is really gratifying.” One of the most meaningful songs on The Strange Case Of… to Halestorm is “Here's To Us,” a declarative mission statement which starts with a delicate arpeggio and builds to a rousing pop/rock refrain. As much as it represents the band, “Here’s to Us” was actually an afterthought. “It came together after we already thought the album was complete,” Hale says. “It's our ‘bottom of the ninth, bases are loaded… home run!’ The song is about celebrating the ups and downs of your journey as you go along because even the bad times can be reasons to crack open the champagne.” One reason Halestorm has developed the ability to sound completely self-assured and cohesive whether they’re tearing down the rafters or gently massaging a bruised psyche is because they’ve had plenty of time to hone their craft and celebrate their exceptional chemistry. Hale and her brother and drummer Arejay started the group more than a decade ago when she was 13 and he was just 10. From the very beginning they were in it to win it even though they paid their dues along the way. Back in the day, the members lost a talent show to a tap-dancing cowgirl, played Friendly’s for free ice cream, piled the stage with homemade explosives that sometimes went off right in front of their faces, and even played at a funeral.